The first Kabaalmakers event will be a premiere party 11th of june van @Kaya_webdocserie!
Randy Haas and Kim van Haaster have taken over the former Weedburger boat at the Ceuvel in the North of Amsterdam! Kicking off with Kabaalmakers with their own workshop space. Kabaalmakers maakt online documentaire content voor de jeugd samen met… Continue Reading →
In Havana has been selected at several international film festivals: Ojo de Pescado, Valparaiso, Chile. 28 aug – 5 sept Ethnological Documentary Film Festival Kratovo, in Macedonia. october 1 – 3, 2021. Festival Internacional de Cine para Niños (…y no tan… Continue Reading →
In Havana now has the festival distributor Agencia Freak and a sales agent Feelsales to bring her to the right audience. Hopefully we will have a premiere soon!
After participating in the Kids & Youth workshop at Beldocs in September 2020 my projects, both finished and in production are available at Pitch the doc! After participating in the Kids & Youth workshop at Beldocs in September 2020 my… Continue Reading →
In 2019 I came back to Havana, Cuba with Antonio Jose Guzman and his crew. I filmed him during rehearsal, working and doing is performance. I had not been in Cuba for 13 years and it was challenging but amazing!… Continue Reading →
Sorry, this entry is only available in Nederlands.
This film I made for Lectorate of Art Education of the Amsterdam University of the Arts. The film is part of research done on elderly dance in the context of city life. More information (in Dutch).
On a rainy day I filmed Timbert working on his beautiful 100+ project. He is painting portraits of the hundred years old. He has a great working space in Amsterdam Noord. The result will be used in the Slownet’s pilot… Continue Reading →
I am working on a few films for a pilot for a platform in health care and wellbeing. People who can’t watch fast moving images but who prefer slow images will in the future have acces to a video-on-demand platform…. Continue Reading →
© 2022 KIM FILMS — Powered by WordPress
Theme by Anders Noren — Up ↑